Maja Rajenovich invites Roberta Bonisson to screen a selection of Women: Experimental Films as part of THOUGHT I BURIED IT
THOUGHT I BURIED IT is an event curated by Maja Rajenovich with Chashama Space Grant in Harlem
located at 1351 Amsterdam Ave @ W 126th NY, NY 10027
The Film will be screened on March 29th @ 7:00 PM
5′ , 2013
Directed by – Bahar Behbahani
Kneading Memories is part of an ongoing collection of interdisciplinary, collaborative works, which encompass a group of performative installations and participatory video installations. Each iteration explores the power of bread through people’s personal memories amid larger political and economic spheres of this universal sustenance. Single-channel video part of a performative video installation collaborated by Tamara Dean, Ghent, New York, 2013
Directed by – Negar Behbahani and Mehrnoush Aliaghaei
Collateral damage is an innocent life extinguished.
Just a Film
3′ 50″, 2014
Directed by – Roberta Bonisson
This video explores the relation between personal histories and film; the space between intimacy and virtuality; real time and memories.
3′ 04″, 2014
Directed by – chameckilerner
Commissioned, developed and produced with the support of the EMPAC artist-in-residence program, SAMBA #2 explores the iconic Brazilian cultural manifestation. Through the lenses of a typical brazilian TV camera, the video exposes this obsessively feminine body, full of Brazilian symbology to a dissection.This piece is an anthropological quest, a social and biological artistic research of this ingrained physicality. The result is as if our eyes could finally see what our minds always knew about the samba: its sexuality, violence, beauty, the animal.
1′ 32″, 2013
Directed by – Ana Dantas
In a metaphorical way I tried to express the possibility of freedom.
Kicking Up Dust
2′ 37″, 2014
Directed by – Angela Ellsworth
Kicking Up Dust re-imagines a group of polygamist women as separatist lesbians exploring the mystical space between land, loving, and line dancing. Kicking Up Dust is part of Ellsworth’s ongoing efforts of putting the queer in pioneer. Ellsworth looks to her own Mormon cultural history and upbringing in Utah to investigate the underpinnings of utopian ideals and religion by re-imagining a community of women creating their own grid and having their own visionary and revelatory powers outside a patriarchal construct. She draws parallels between the communities established by her ancestors and contemporary discourse around queer relationships and family. Through her reappropriation of images of women in pastel prairie dresses, Ellsworth explores intimacy, resilience, and new possibilities for defining, building, and sustaining community.
A Partial History of the Natural World
6′ 45″, 2015
Directed by – Sasha Waters Freyer
A Partial History of the Natural World, 1965 meditates upon the violent struggle for independence in southeast Asia and butterfly metamorphosis. Framed by excerpts from Sylvia Plath’s poem “Tulips,” the film reminds us that comfort is a privilege and denial of the suffering of others is not an option. With a live 1965 performance of Bartok’s Solo for Violin 3.
My Claivoyant or How to Get Out of a Thorn Bush
Directed by – Meighan Gale
Encouraged by a vist to a clairvoyant counselor, I enacted and documented a ritual to extract me fron an emotional tangle. It included an evening gown, fishing waders, a body of water, a hill of brambles, a shovel, and an empty frame. Cinematography by Dexter Buell and Kirsten Johnson.
The Living Girdle
Directed by – Judith Henry
In the early Nineties I began to ask people to tell me stories about their childhood sexual experiences or as I call it “sexual awakenings”. I tape-recorded them as they recalled events of their pre-teen years.The Living Girdle is one of the stories told to me.
Eternity Starts Over
Directed by – Kay Hines
This video created for a site-specific double silo structure of a small Catskill town, compares metaphors of digital and analog concepts, opposing/comparing the continuum of the bowed violin vs. the fretted neck and plucked strings of the guitar, the slide of the trombone vs. digital fingered stops of the trumpet, the staircase and ladder vs. the spiral ramp or gradient. The animated graphics reference the famous Mobius single-sided, double-sided eternity strip, and Houdini, as well as Piranesi’s fantasy prisons, Muybridge’s framed motion studies, Duchamp’s“Nude Descending a Staircase”, Frank Lloyd Wright’s Guggenheim Museum, in addition to words and texts.
Birds and Bees
2′ 45″, 2010
Directed by – Yuliya Lanina
“Birds and Bees” is a stop motion animation featuring a whimsical cast of characters drawn from Lanina’s paintings. It is about the mystery of birth and the duality of existence. Life affirms itself through both merriment and suffering, as malformed and interbred creatures dance in celebration of Nature, sexuality, and fertility. The film was produced in 2010. Original music by Yevgeniy Sharlat.
2′ 31″, 2009
Directed by – Shannon Plumb
Working from footage originally shot on location in Madison Square Park on Super 8 and green-screening in her own silent-film and vaudeville-inspired performances, Plumb offers a playful yet piercing mirror onto ourselves, our actions, and our city.THE PARK premiered as the inaugural installation of the 2009 season of Mad. Sq. Art, the Madison Square Park Conservancy’s gallery without walls. The IFC Center screenings mark the first time the films will be screened in a theater. Sunbather is an excerpt of The Park.
Directed by – Amy Podmore
This continues my ongoing interest in animating sculpture. It features a sculptural costumes animated by the wearer. I use the inverted pockets to create a suggestive interior space that explores ideas about private/public, as well as vulnerability, in a hopefully poignant and humorous way.
Directed by – Kathryn Ramey
From the tale of Icarus to Plato’s cave analogy and through the fragile materiality of hand processed 35mm film, Fall relates the pain of knowledge acquisition as a girl becomes a woman and one turns into two.